Tuesday, May 17, 2011
Friday, May 6, 2011
Honeywell Lock Box Not Opening
Álvaro Zardoni.Destreza and creativity
P. - How to design the series, which inspires you?
R. "I work in small format, and that is why I usually make series ... well, a piece of unfinished leaves you and takes you over and over until you feel you've exhausted the subject ...
What inspires me? The human figure ... especially the faces ... and everything that they reflect: feelings, emotions, thoughts ... With a wink have a completely different piece ... I think the faces that I, a correction beyond "academic", have a personality, a psychology and a look "alive" ...
Q. - How do you define your style?
both classic R.-A, I feel that both the form and content of my work is about the production of the Mediterranean, but with a contemporary hand and the influence of someone living in a place with so many stimuli as what is the City of Mexico, and also load some dark humor.
Q. - How did you get started in art?
R. "I always contact with art: From very young I took classes in painting and drawing workshop Irene Lindroth, studied architecture at the Universidad Anahuac, and I did several things in design and decoration ... and for a short time took the administration of a scholarship for artists who gave the city government.
With regard to the sculpture, had a longer process ... I had a child a table with my dough ... I was very easy to model ... but it made things that last. Started accidentally exposed ... I liked the idea of \u200b\u200bsculpture, but was afraid to pursue it professionally, in fact it took me some time make my pieces in bronze, it was very serious step ... to stop being myself and sharing parts only outside ...
now over 10 years I devote himself to art and happy to be on this path.
Q. - that builds your spiritual faith?
R. "I'm on a spiritual quest ... something unconventional and ecumenical ... I think we should be open to learn to recognize where to find wisdom, we can make sense as human beings, and significance to other plans ... but also to know to set limits all dogma imposed upon us, wherever it comes.
Q. - What artists have influenced your performance and development?
R. "From very young I read something I wrote Louise Neveslon, the great sculptor, and that stuck with me ever since:
" From earliest childhood I knew it was an artist. I felt as an artist. Many people are here on earth and never know what they want. I call incomplete beings. I had an outline of what my life and what I wanted from this world. Well, not all were so applicants like me. But I wanted something that I thought I belonged, wanted an exhibition for myself. To me that was life. Who is an artist? You have to take the title. No one gives it. We should make our lives. "
I've seen the work of many sculptors. I do not know which way to study his work has left its mark on mine ... I can refer you to Rodin, Aristide Maillol, Camille Claudel, Jose Clara, Arno Breker ... and the most recent Subirachs, Robert Graham and Javier Marín.
Q. - Do you have any anecdotes you'd like to have another colleague?
R. "He does not lose sight of the internal creative needs ... there are many external voices that can turn our line of work: the galleries buyers, views on what should be or not art ... I think we should be faithful to what one wants to express.
Q. - Where were you born?
R. "In Mexico City, in an old neighborhood called Colonia Roma. Now I live very near there.
Q. - What are you working now?
R. "Taking a break from the human figure and experimenting a bit with animals ... I want to cats (obviously this is not common cats ...) I have drawn three so far.
Q. - What you got in the short term plans?
R. "These past years have been difficult for art, several galleries with which he had been working closed and I started to deal with others. I've been more focused on my work to expose ... perhaps a kind of protection. As plans for the future I would like to do some large format, that would be a great challenge for me, but all depend on if it were a request for costs.
Q. - Do you always like this art?
R. "If ... and I think that I could not live without art, both appreciating and producing.
Q. - which artists do you admire?
R.-A lot, not only painters but also sculptors, musicians, writers, architects ... do not know with whom head the list!
Q. - You come from a family of artists?
R. "My parents are economists. Several writers relatives of my grandparents. But only one of my grandmothers painted. I have a picture of her, which I find beautiful. I suppose that painting was a hobby for her than a matter of being an artist as such. My family saw my facility for art, but did not consider it a valid proposal for a living. This has been a learning experience for all of us.
Q. - Tell me about the series of sculptures that tauren as a key accessory, the key that has any meaning? "Just
R. I started to use everyday objects in my pieces when I did my first collection of bronze ... it was an attempt to remove the formal of the metal to do something more fun, more accessible ... the bronze will always refer to a monument or something very serious ... so I also wanted to use color patinas that are rare, and while more vivid.
Returning to the objects, they would help reinforce the idea of \u200b\u200ba piece or collection that I'm working on ... the Cyclops have coins on their foreheads, which refers to the priority of the material currently exists. The keys on my latest collection (Bedel) have to do with doors that open, the hope of a better world.
Q. - What were your childhood like?
R. "Well I think very imaginative and withdrawn ... I lived in my own world.
Q. - In the school were a good student?
R. "I think we had good retention (never flunked ... in fact my grades were good) but I always hated that I was commissioned to work or having to do things out of obligation.
Q. - Do you have unfulfilled dreams or are you heading?
R. "I love to have a gallery representing me overseas ... I have not found the way to achieve it. Since Mexico is a country hostile to art, I could use a different window for my production.
Q. - Do you work in silence or background music?
R. "The music always accompanies me ... but depends on the mood you are and the intention of the piece you're working ... I think my favorite genres are study baroque choral music and flamenco.
The casting is another thing: as you can imagine: Salsa, Cumbia and other rhythms of a workshop!
P.-Tell me about the series of zodiac signs, sirens, etc.
R. "The Zodiac was born almost by accident, he had worked a Unicorn and the idea to sing something with bull horns, sheep and goats ... hence I was excited to progress the rest of the signs, but I think the people I have around: friends and family, and the way I perceive them ... there are a couple of pieces that are "uncomfortable" because they are not entirely flattering.
On the other pieces you ask me, you will realize that return very often to be inspired by mythological themes of Greece and Rome ... sometimes I take as a reference to literary or historical characters.
Photos: belong to the artist interviewed 
His ability, skill and capacity made this artist stands with magnificence of his works through the expression that was manifest in each of his figurative sculptures style and vitality.
His sculptures have a strong connotation, ranging from mythological and legendary to pieces and avant-garde. Álvaro
Zardoni, has a restless spirit, emotional and fresh. This artist presented their various bronze sculptures in solo and group exhibitions in major galleries and private: USA, Mexico, as well as many of his works are in private collections in Mexico, Miami, Los Angeles, Chicago, Boston, New York, Portland, Eugene, Seattle, Bogotá, Buenos Aires, Cologne, Stuttgart, Vienna, Antwerp, Rotterdam, Lisbon, Madrid, Milan and London. Zardoni Alvaro was born in the Roma neighborhood of Mexico City. He studied painting and drawing workshop Irene Lindroth. He is an architect graduated from the Universidad Anahuac (1987). He is currently represented by "Dante Gallery" of Puerto Vallarta, "Generator Gallery "and" Space Kerlegand "of San Miguel de Allende. Hall is a member of the Mexican Plastic from February 2006. Latest esposiones
Bedel in March 2011 in Mexico City. Jury is currently involved in First Contest Illustration: The life of Joan
Q. - Is the process of each piece is a long process to do more?
R.-The bronze sculpture, which is my case requires a more or less long and perhaps a bit complicated because there are parts of solo work in the studio and other equipment within a workshop for technical issues .
Q. - First a clay mold and then ...?
R.-start modeling in clay, rather playing with the ideas live on this stuff ... I do not do sketches or preliminary drawings ... in the end it makes a rubber mold, which will be original copies in wax ... then you have to tweak these waxes: remove the marks of the mold seams, bubbles and other imperfections ... ready each wax is wrapped in a plaster cylinder which, once set, bake for the wax to evaporate. The cylinder as it cools it is ready to be made of cast bronze pouring.
The bronze piece must be sanded, chiseled and polished before applying the patina, which is done with acids and other components to give the finish. To seal used the final wax and polish to give the brightness.
I'm very close to the workshop process in order to be sure of the final part quality.
His sculptures have a strong connotation, ranging from mythological and legendary to pieces and avant-garde. Álvaro
Zardoni, has a restless spirit, emotional and fresh. This artist presented their various bronze sculptures in solo and group exhibitions in major galleries and private: USA, Mexico, as well as many of his works are in private collections in Mexico, Miami, Los Angeles, Chicago, Boston, New York, Portland, Eugene, Seattle, Bogotá, Buenos Aires, Cologne, Stuttgart, Vienna, Antwerp, Rotterdam, Lisbon, Madrid, Milan and London. Zardoni Alvaro was born in the Roma neighborhood of Mexico City. He studied painting and drawing workshop Irene Lindroth. He is an architect graduated from the Universidad Anahuac (1987). He is currently represented by "Dante Gallery" of Puerto Vallarta, "Generator Gallery "and" Space Kerlegand "of San Miguel de Allende. Hall is a member of the Mexican Plastic from February 2006. Latest esposiones
Bedel in March 2011 in Mexico City. Jury is currently involved in First Contest Illustration: The life of Joan
Q. - Is the process of each piece is a long process to do more?
R.-The bronze sculpture, which is my case requires a more or less long and perhaps a bit complicated because there are parts of solo work in the studio and other equipment within a workshop for technical issues .
Q. - First a clay mold and then ...?
R.-start modeling in clay, rather playing with the ideas live on this stuff ... I do not do sketches or preliminary drawings ... in the end it makes a rubber mold, which will be original copies in wax ... then you have to tweak these waxes: remove the marks of the mold seams, bubbles and other imperfections ... ready each wax is wrapped in a plaster cylinder which, once set, bake for the wax to evaporate. The cylinder as it cools it is ready to be made of cast bronze pouring.
The bronze piece must be sanded, chiseled and polished before applying the patina, which is done with acids and other components to give the finish. To seal used the final wax and polish to give the brightness.
I'm very close to the workshop process in order to be sure of the final part quality.
P. - How to design the series, which inspires you?
R. "I work in small format, and that is why I usually make series ... well, a piece of unfinished leaves you and takes you over and over until you feel you've exhausted the subject ...
What inspires me? The human figure ... especially the faces ... and everything that they reflect: feelings, emotions, thoughts ... With a wink have a completely different piece ... I think the faces that I, a correction beyond "academic", have a personality, a psychology and a look "alive" ...
Q. - How do you define your style?
both classic R.-A, I feel that both the form and content of my work is about the production of the Mediterranean, but with a contemporary hand and the influence of someone living in a place with so many stimuli as what is the City of Mexico, and also load some dark humor.
Q. - How did you get started in art?
R. "I always contact with art: From very young I took classes in painting and drawing workshop Irene Lindroth, studied architecture at the Universidad Anahuac, and I did several things in design and decoration ... and for a short time took the administration of a scholarship for artists who gave the city government.
With regard to the sculpture, had a longer process ... I had a child a table with my dough ... I was very easy to model ... but it made things that last. Started accidentally exposed ... I liked the idea of \u200b\u200bsculpture, but was afraid to pursue it professionally, in fact it took me some time make my pieces in bronze, it was very serious step ... to stop being myself and sharing parts only outside ...
now over 10 years I devote himself to art and happy to be on this path.
Q. - that builds your spiritual faith?
R. "I'm on a spiritual quest ... something unconventional and ecumenical ... I think we should be open to learn to recognize where to find wisdom, we can make sense as human beings, and significance to other plans ... but also to know to set limits all dogma imposed upon us, wherever it comes.
Q. - What artists have influenced your performance and development?
R. "From very young I read something I wrote Louise Neveslon, the great sculptor, and that stuck with me ever since:
" From earliest childhood I knew it was an artist. I felt as an artist. Many people are here on earth and never know what they want. I call incomplete beings. I had an outline of what my life and what I wanted from this world. Well, not all were so applicants like me. But I wanted something that I thought I belonged, wanted an exhibition for myself. To me that was life. Who is an artist? You have to take the title. No one gives it. We should make our lives. "
I've seen the work of many sculptors. I do not know which way to study his work has left its mark on mine ... I can refer you to Rodin, Aristide Maillol, Camille Claudel, Jose Clara, Arno Breker ... and the most recent Subirachs, Robert Graham and Javier Marín.
Q. - Do you have any anecdotes you'd like to have another colleague?
R. "He does not lose sight of the internal creative needs ... there are many external voices that can turn our line of work: the galleries buyers, views on what should be or not art ... I think we should be faithful to what one wants to express.
Q. - Where were you born?
R. "In Mexico City, in an old neighborhood called Colonia Roma. Now I live very near there.
Q. - What are you working now?
R. "Taking a break from the human figure and experimenting a bit with animals ... I want to cats (obviously this is not common cats ...) I have drawn three so far.
Q. - What you got in the short term plans?
R. "These past years have been difficult for art, several galleries with which he had been working closed and I started to deal with others. I've been more focused on my work to expose ... perhaps a kind of protection. As plans for the future I would like to do some large format, that would be a great challenge for me, but all depend on if it were a request for costs.
Q. - Do you always like this art?
R. "If ... and I think that I could not live without art, both appreciating and producing.
Q. - which artists do you admire?
R.-A lot, not only painters but also sculptors, musicians, writers, architects ... do not know with whom head the list!
Q. - You come from a family of artists?
R. "My parents are economists. Several writers relatives of my grandparents. But only one of my grandmothers painted. I have a picture of her, which I find beautiful. I suppose that painting was a hobby for her than a matter of being an artist as such. My family saw my facility for art, but did not consider it a valid proposal for a living. This has been a learning experience for all of us.
Q. - Tell me about the series of sculptures that tauren as a key accessory, the key that has any meaning? "Just
R. I started to use everyday objects in my pieces when I did my first collection of bronze ... it was an attempt to remove the formal of the metal to do something more fun, more accessible ... the bronze will always refer to a monument or something very serious ... so I also wanted to use color patinas that are rare, and while more vivid.
Returning to the objects, they would help reinforce the idea of \u200b\u200ba piece or collection that I'm working on ... the Cyclops have coins on their foreheads, which refers to the priority of the material currently exists. The keys on my latest collection (Bedel) have to do with doors that open, the hope of a better world.
Q. - What were your childhood like?
R. "Well I think very imaginative and withdrawn ... I lived in my own world.
Q. - In the school were a good student?
R. "I think we had good retention (never flunked ... in fact my grades were good) but I always hated that I was commissioned to work or having to do things out of obligation.
Q. - Do you have unfulfilled dreams or are you heading?
R. "I love to have a gallery representing me overseas ... I have not found the way to achieve it. Since Mexico is a country hostile to art, I could use a different window for my production.
Q. - Do you work in silence or background music?
R. "The music always accompanies me ... but depends on the mood you are and the intention of the piece you're working ... I think my favorite genres are study baroque choral music and flamenco.
The casting is another thing: as you can imagine: Salsa, Cumbia and other rhythms of a workshop!
P.-Tell me about the series of zodiac signs, sirens, etc.
R. "The Zodiac was born almost by accident, he had worked a Unicorn and the idea to sing something with bull horns, sheep and goats ... hence I was excited to progress the rest of the signs, but I think the people I have around: friends and family, and the way I perceive them ... there are a couple of pieces that are "uncomfortable" because they are not entirely flattering.
On the other pieces you ask me, you will realize that return very often to be inspired by mythological themes of Greece and Rome ... sometimes I take as a reference to literary or historical characters.
Photos: belong to the artist interviewed
Saturday, April 30, 2011
Compulsive Mommy Blog
Ernesto Sabato's death took me by surprise this morning, life never ceases to amaze me. I pay my tribute. Ernesto was born June 24, 1911, Rojas. Argentina. It was the tenth of 11 children. Author of The Invention of Morel - 1941.
In 1945 he published his first book, One and the universe
public in 1948 Southern literary magazine "The tunnel" novel that was rejected by many publishers. The tunnel has received many rave reviews and achieving international recognition, was translated into over ten languages. In 1952se release the film in Argentina led by Leon Klimovsky.
"The tunnel" as Sabato called his book, is the darkness of the soul, what man tries to know as truth
published in 1961 On Heroes and Tombs. His third novel in 1974 Abaddon the destroyer. was the first English-language writer to publish a free book online rather than paper, with the resistance work in June 2000. Second Argentine writer to receive the Miguel de Cervantes Prize, after Jorge Luis Borges. Among other very important. Public infinite number of trials such as:
1945-A and 1951-Men universe
gear and Heterodoxy
1953-1956-The case Sabato. Torture and freedom of the press. Open letter General Aramburu
1956-The other face of Peronism
1963-The writer and his ghost
1963-Tango, discussion and password
1966-Romance of the death of Juan Lavalle. Cantar de Gesta
1967-Meaning of Pedro Henríquez Ureña
1968-Approach to the literature of our time: Robbe-Grillet, Borges, Sartre
1973-The national culture at the crossroads
1976-Conversations with Jorge Luis Borges
1979-Apologies and rejections
1979-Books and their mission in the liberation and integration of Latin America
1985-never. National Commission report on the disappearance of people
Between the letter and the blood
1998-Before the End
2004-Spain in my old diaries
some of his phrases
-Being original is in some ways seems to suggest the mediocrity of others.
"Life is so short and the business of living so hard, that when you start to learn, and must die.
"Apparently, the dignity of human life was not foreseen in the plan of globalization
" Vanity is so fantastic, that even causes us to worry about what they think of us once dead and buried.
-The wonder is that men keep fighting and creating beauty in the midst of a barbarous and hostile world.
"God exists, but sometimes sleep, his nightmares are our existence.
"A good writer expresses great things with small words to reverse the bad writer, who says small things with great words.
"Too bad that when one begins to learn the trade of live and must die.
"The artist must be mixture of child, man and woman.
"The world can do nothing against a man who sings in poverty.
Thursday, April 28, 2011
Beautifulagony Usernames
Roadmap
Interpret a reading of Jorge Luis Borges has helped me understand everything that is associated picture is God is totally wicked. Each writer has his own style on his own words, is that this particular author first thought in English then wrote in Castilian is true, his vocabulary is broad as broad as the universe and that of the Mio. The first time I read his stories was in my adolescent stage, as the word says it all suffers from that age, everything. Emma Zunz in his alibi for the murder, I felt for that moment of revulsion and disgust she felt to be with the sailor's port. I felt the same anger, the noises, the sounds, screams, gunshots, he created have witnessed them: I got the place of Emma. These feelings aroused in me a glimpse into a different world than I had seen. I could tell that I felt the adrenaline in my blood, since that day I had some attraction the black police, the round trip time. Rosario
writer, I read Pizarnik years afterwards as a woman with more awareness, get my hands on a time when sensitivity to the existence washed over me greatly. And deep in my still throbbing badly healed wound. His poems are a living testimony of a flesh that bleeds, making it sublime, thought a love that could not be realized, a lost love, a distant love, a love that no longer sings his verse but does mourn, suffer such as caged birds. The words coming out of his mouth are similar to when ever died of love.
Horacio Quiroga, the writer surprises with rare and short stories so typical of his style, invite you to follow the reading with horrific frames out of the ordinary. 
Interpret a reading of Jorge Luis Borges has helped me understand everything that is associated picture is God is totally wicked. Each writer has his own style on his own words, is that this particular author first thought in English then wrote in Castilian is true, his vocabulary is broad as broad as the universe and that of the Mio. The first time I read his stories was in my adolescent stage, as the word says it all suffers from that age, everything. Emma Zunz in his alibi for the murder, I felt for that moment of revulsion and disgust she felt to be with the sailor's port. I felt the same anger, the noises, the sounds, screams, gunshots, he created have witnessed them: I got the place of Emma. These feelings aroused in me a glimpse into a different world than I had seen. I could tell that I felt the adrenaline in my blood, since that day I had some attraction the black police, the round trip time. Rosario
writer, I read Pizarnik years afterwards as a woman with more awareness, get my hands on a time when sensitivity to the existence washed over me greatly. And deep in my still throbbing badly healed wound. His poems are a living testimony of a flesh that bleeds, making it sublime, thought a love that could not be realized, a lost love, a distant love, a love that no longer sings his verse but does mourn, suffer such as caged birds. The words coming out of his mouth are similar to when ever died of love.
Horacio Quiroga, the writer surprises with rare and short stories so typical of his style, invite you to follow the reading with horrific frames out of the ordinary.
Friday, April 15, 2011
Kinitted Papoose Pattern
First Contest illustration: The life of Joan
Participants
occasion of the series in the BLOG SPANISH, Books nocturnal and treachery, LIFE-STORY OF JOAN http://www.luisbarga.net/ . Contestants can create art with the main character of the story. The book The Life of John will be issued for the second time in the English version flared with the drawing of the winning participants in the blog mentioned above. -
Participants
: be open to all those who perform different disciplines, amateur or professional belonging to any public or private institution, whatever their nationality and origin. Over 18 years. It will accept up to two works per participant specific topic: "The life of Jeanne," Categories story: We will accept and evaluate works in the following categories: - You may use any desired technique, which should not exceed A4 sheet and include a title the obra.Los they must be original. "They will evaluate the originality, color, technique, neatness, theme, composition, etc.
Presentation: only be accepted received until 15 June 2011. should all bring the following personal information written in the mail: Name, age, ID number, address, zip code, country, telephone, email, photo 4x4 (passport)
Front: The papers can be sent via e-mail attachment to largeseason@yahoo.com.ar
Prizes: There will be a 1 st the work selected by the jury will be posted on the blog. 2 nd and 3 rd Prize: A certificate of attendance indicating their work.
Jury: the jury shall consist of: Malcolm Lander, Alvaro Zardoni, Santiago Ocampo, Luis Barga, and Sandra Ávila. The prizes will be awarded.
The jury may collect a special mention as it deems relevant. Winners: The names of the participants winners will be announced during the two following 2 weeks of the closing date of 2011 the same year (all dates can be changed by the organizer without notice) He / winners will be notified e-mail or phone. We will release them by various blogs. All entries received after the contest will not be returned.
Wednesday, April 6, 2011
Adult Shoes With Retactable Skates
Among the scalpel and the pen: Interview with José Manuel Ortiz Avila Sandra Soto First interview
His poems in chronological order (1981-1991) José Manuel Ortiz Soto: contemporary, subtle. His texts are his inner voice, the Mexican poet everything screams all it is silent or cynicism or shut up, author of Angels of mud , Poetry. He is a poet and doctor, it was decided very quickly when he went to register for the race. Study at the Universidad Nacional Autónoma Mexico. He was born on January 27, 1965 - Guanajuato . How did you choose the title of your book Angels of mud? It is an old story. When I was 16 or 17 years I wrote a short poem saying "Yours were the angels of mud in my quiet night had managed to do in your image, strangely seductive! And eléveme which a ghost with sad eyes and wings of silence Protecting your muse space. Because I was in mud and you my wings. " mud angels caught me and started a poem with that name. Thus arose the title of the poem, the poetry blog and my latest book. How did you get involved in writing How did you first posted? The direct cause, I think, was a high school teacher, Jaime Alcantara, let us write poems. Even though I brought in the blood, because my uncle Joseph, brother of my mother, wrote poetry and was an excellent orator, like my Aunt Angela and my brother Javier. However, I remember as a trigger the breakup with a girlfriend whom I spent my first intended as texts and poems. Then came my high school teachers, Susana Ordonez and Jose Alfredo Maqueda, who encouraged me to continue. The issue then was the nature, love, social conflict, mainly . 
"Tell me about Angels mud? I assume you mean the book. A selection of poems ten years (from 16 to 26 years) 1981 to 1991 taken from the books of poetry I wrote during that period of time. It begins with my first poems in the first year of high school some of which were left by the teachers work longer I mentioned. The book concludes with poems Sometimes laughter, written for my daughter Alejandra Ireri. I can say that this is a book that begins in adolescence and ends with the beginning of maturity, in all senses. What year was published? On December 24, 2011. It was my Christmas present. What is the name of the publisher? Blue lizard, which is my own editorial. Your doctor's office pediatric surgeon and a writer, how do you divide the tasks? To entry are very good friends, I have not had complaints from any party. In the morning working in my office and in the afternoon in a government hospital. That as a physician. Regarding writing, I can tell you that I write from when I wake until I fall asleep. Dead time I dedicate my work to write. I am a person who stays in his job as a doctor, but I could not live without writing. 
What is of expiration, which will serve as a tool to write? Everything that happens around me: a sound, an image, an inner voice dictates what you should write, not knowing what or why. Moods. Women in general, my daughters, my granddaughter now ... Anything is an excuse to write. Where were you born Joseph? In a village in the state of Guanajuato in the center of the country. I lived there until she was fifteen, then I went to study in the capital. And living here since. What are you writing now? Everything that comes to my head. But a more orderly, prepared a book minifiction due out this summer. Who do you admire? Could you define what is literature for you? Who do I admire? Many writers! In your country to Borges, Cortázar and Sabato (his book The tunnel I've given dozens of times and I have read so many). Poets: Baudelaire , Rimbaud, Allan Poe , Jaime Sabines , Homero Aridjis ; Narrative: Hemingway , Boris Vian , Chekhov, Juan Rulfo , Jorge Ibargüengoitia ... Writers minifiction that roam the network, Elisa de Armas, Gabriel Bevilaqua, Lola Sanabria , Martin Gardella, Esteban Dublin ... Literature is life. I would not know what else to say. May not be a doctor, but impossible to stop writing or reading. How Volcae your ideas on paper? What is the process, and when you take it for completion of a new brief? As ideas come from the writing on the computer or on paper (or on Black Berry, that's what I bring.) Then I go back to them, work, waste ... When you are finished created by the peace I leave, but almost always return to them, in that I am very obsessive. I have never a finished work.
"Tell me about Angels mud? I assume you mean the book. A selection of poems ten years (from 16 to 26 years) 1981 to 1991 taken from the books of poetry I wrote during that period of time. It begins with my first poems in the first year of high school some of which were left by the teachers work longer I mentioned. The book concludes with poems Sometimes laughter, written for my daughter Alejandra Ireri. I can say that this is a book that begins in adolescence and ends with the beginning of maturity, in all senses. What year was published? On December 24, 2011. It was my Christmas present. What is the name of the publisher? Blue lizard, which is my own editorial. Your doctor's office pediatric surgeon and a writer, how do you divide the tasks? To entry are very good friends, I have not had complaints from any party. In the morning working in my office and in the afternoon in a government hospital. That as a physician. Regarding writing, I can tell you that I write from when I wake until I fall asleep. Dead time I dedicate my work to write. I am a person who stays in his job as a doctor, but I could not live without writing. What is of expiration, which will serve as a tool to write? Everything that happens around me: a sound, an image, an inner voice dictates what you should write, not knowing what or why. Moods. Women in general, my daughters, my granddaughter now ... Anything is an excuse to write. Where were you born Joseph? In a village in the state of Guanajuato in the center of the country. I lived there until she was fifteen, then I went to study in the capital. And living here since. What are you writing now? Everything that comes to my head. But a more orderly, prepared a book minifiction due out this summer. Who do you admire? Could you define what is literature for you? Who do I admire? Many writers! In your country to Borges, Cortázar and Sabato (his book The tunnel I've given dozens of times and I have read so many). Poets: Baudelaire , Rimbaud, Allan Poe , Jaime Sabines , Homero Aridjis ; Narrative: Hemingway , Boris Vian , Chekhov, Juan Rulfo , Jorge Ibargüengoitia ... Writers minifiction that roam the network, Elisa de Armas, Gabriel Bevilaqua, Lola Sanabria , Martin Gardella, Esteban Dublin ... Literature is life. I would not know what else to say. May not be a doctor, but impossible to stop writing or reading. How Volcae your ideas on paper? What is the process, and when you take it for completion of a new brief? As ideas come from the writing on the computer or on paper (or on Black Berry, that's what I bring.) Then I go back to them, work, waste ... When you are finished created by the peace I leave, but almost always return to them, in that I am very obsessive. I have never a finished work. 
What writer would you like to have a deep conversation? Why? With either of those I mentioned back there. But I would get into a time machine travel time of Charles Baudelaire , attend one of his lectures, listen to their poems, but mostly take me a few drinks with him and accompany him to the poetic gatherings in which it participated. Or perhaps have been a doctor in the psychiatric hospital where he was interned and spend their days talking with him, learning from his ability as a poet. collect editions of The Flowers of Evil. What was your first wish: to be a doctor or a writer? I never thought being a doctor. medicine I decided a few days before having to choose a career. and I think I owe my love my Uncle Joe for literature, is also guilty that I become a doctor. For very young accompanied him on his medical adventures. I must say that after the death of my father when I was twelve, he came to occupy this site (it was also my godfather). To him I dedicate my book Angels of mud, which, fortunately, was able to read, then pass away a month later. When did you discover your affinity and expression through the written word? I suppose that since I did not learn music and quit classes grandfather, then to eight. By this time I read everything I could get my hands. My mother had to go out of the newsstand where, as a reader VIP had open credit. My brother Javier realized this and provided me with books. It was only a matter of time. Does it integrate Marine jury Fiction? No, I am of the troops. I upload my text and if selected, will workshops. I believe in learning stage. Although always write short texts, my foray into minifiction (knowingly) takes just over a year. Could you tell me about Red Penguin and stories for children? " Red Penguin" is a long story or short novel for children. Started very funny. Once it took my daughter to school Aranza was walking down the street my mother, it was still dark and did not distinguish very well. It was a little cold and wore a long jacket. Commented that he walked like a penguin. We laughed. A street below saw a woman dressed in red and his movements seemed too penguin. And hence came the name. A penguin red. I left my daughter at school, I went to a cafe where he went every morning and started writing the story. I have many texts for children, perhaps because when I was young my little cousins \u200b\u200bliked to tell them stories (I was in a theater group a few years) and then my daughters. Moreover, the first were published children's songs, I recorded some friends clowns. What are the 5 books should not be without a library? Those that everyone likes. It is a very difficult question. In my case might be: The flowers of evil, Baudelaire ; The tunnel, Ernesto Sabato ; Collection of poems, Homer Aridjis ; The prince , Antoine Saint of - Exupéry, and The Count of Monte Cristo of Alexandre Dumas . (So \u200b\u200bI could go on lists of five to choose my favorites, which are many.) 
ANGELS OF CLAY http://angelesdebarro.blogspot.com/ http://unpinguinorojo.blogspot A RED PENGUIN. com / RAVENS FOR YOUR EYES http://cuervosparatusojos.blogspot.com/
ANGELS OF CLAY http://angelesdebarro.blogspot.com/ http://unpinguinorojo.blogspot A RED PENGUIN. com / RAVENS FOR YOUR EYES http://cuervosparatusojos.blogspot.com/ Tuesday, April 5, 2011
Ps3 Headset Using Ipod Earphone W/mic
SANDRA AVILA IN THE BLOG "Knowing" Bedel-Alvaro
http://conociendo-te.blogspot.com/2011/03/voces-etereas-de -night-NOTARY-de.html 
http://conociendo-te.blogspot.com/2011/03/voces-etereas-de -night-NOTARY-de.html
Saturday, March 26, 2011
What To Wear With A Cashmere Sweater
Sylvie Vervaet first presented her work in Buenos Aires. When I approached
Sylvie timidly feared to have drawbacks communication. Gently asked if he spoke English. She said not. She a strong and courageous woman, as its expression through its acrylic strokes. We ended up talking in English, French artist unfolded very well. Sylvie accompany me to view each picture and I was explaining the meaning of each one of them. The theme of the show was purely the game. Please note that the random, and one thing that really struck me was that each work had a hand present as interrupting any such act of greed and fortune. Dice Poker letters , Russian roulette, and the numbers all present, together and apart. Forming a message that each viewer interprets for himself while transporting you into a labyrinthine mind full of questions. A rabbit as
symbolizing luck. Or a gun symbolizing death. In each painting can be bold colors and contrast of the dark life and death. In other works interpreter seen there my way. One of them portraying childhood luck.
One of the rooms of the Metropolitan Museum presented the set of works entitled "Games life their works will be there from 17 March until 2 April. Located in Castex
Bs.As-Arg-3217.
Hours: Mon vier.14 to 20 pm, at 18 pm
sab.14
Thursday, March 24, 2011
Difference Jr And Intermediate Goal Gloves
Zardoni-Expo
His ability, skill and capacity made This artist is highlighted with the magnificence of his works through the expression that was manifest in each of his figurative sculptures with style and vitality.
His sculptures have a strong connotation, ranging from mythological and legendary avant-garde pieces and .
Álvaro Zardoni , Tiene un espíritu inquieto, emotivo y fresco. Este artista presentó sus diversas esculturas de bronce en muestras individuales y colectivas privadas en importantes galerías como: Estados Unidos, México, así como también muchas de sus obras forman parte de colecciones privadas en México, Miami , Los Ángeles, Chicago , Boston , Nueva York , Portland , Eugene , Seattle , Bogotá , Buenos Aires, Colonia, Stuttgart , Viena , Amberes , Rotterdam , Lisbon, Madrid, Milan and London.
This time dazzle the audience with his works titled "Janitor" on March 31 in the Gallery: The Miscellaneous located on the street: Tabasco 79b between Merida and Frontera Norte-Roma. Mexico. DF 
His ability, skill and capacity made This artist is highlighted with the magnificence of his works through the expression that was manifest in each of his figurative sculptures with style and vitality.
His sculptures have a strong connotation, ranging from mythological and legendary avant-garde pieces and .
Álvaro Zardoni , Tiene un espíritu inquieto, emotivo y fresco. Este artista presentó sus diversas esculturas de bronce en muestras individuales y colectivas privadas en importantes galerías como: Estados Unidos, México, así como también muchas de sus obras forman parte de colecciones privadas en México, Miami , Los Ángeles, Chicago , Boston , Nueva York , Portland , Eugene , Seattle , Bogotá , Buenos Aires, Colonia, Stuttgart , Viena , Amberes , Rotterdam , Lisbon, Madrid, Milan and London.
This time dazzle the audience with his works titled "Janitor" on March 31 in the Gallery: The Miscellaneous located on the street: Tabasco 79b between Merida and Frontera Norte-Roma. Mexico. DF
Sunday, March 20, 2011
Cut Like Scratches On Skin
On Friday March 18th of this year Roxana Mabel Rignola once again dazzled the audience with "the seven muses laundering" their latest creations, I represent the 6 wives of Henry VIII.
Catherine of Aragon (1495-1536)
Anne Boleyn (1501-1536)
Jane Seymour (1508-1537)
Anne of Cleves (1515-1542)
Catherine Howard (1520-1542)
Catherine Parr (1512-1548)
Each were protagonists of the absurd, degradation, and power. The artist worked on the thematic focus, highlight and highlight the tremendous history of these seven women *. Applying the technique of vibrant colors, energetic full of power, also added bits of mirrors, feathers, pearls, gems, lace and satin. All divinely blended. Together with his son Rignola Franco (15) who composed a musical work specially adapted for each frame. The young composer and artist worked individually and then turn a melody into a work of art and a dash in track. The exquisite exhibition opened officially on 17 at the Metropolitan Museum, located on the street Castex 3217.Los spectators enjoyed delicious snacks and drinks. Roxana is prepared to continue working, plan to bring their works to a gallery in Frankfurt, Germany.
* The seventh woman was taken as a reference a.Isabel of York, his mother
Thursday, March 10, 2011
Smelly Urine Dark Yellow
The 7 Muses Unlimited capital. Sirens
You're a woman I know sweeten your words when you're near me. However
are hard as a rock and put an invisible wall that prevents me to come to you as I wish.
Sometimes I try hard to understand your language and that you can shield in front of me ...
I just want to love with the naked heart.
could give you the moon with the highest straight, could give the sun with a finger flick.
I want to buy your smile and your ailments and your worries and then drown in the river. "
and never return.
Because you just want to give you beautiful woman smiles and a world invented just for you. Compartamos
a crazy world together.
's dive into a world without limits.
beautiful woman I love you I want to be mine, all mine.
Because the truth I always love you ... 
You're a woman I know sweeten your words when you're near me. However
are hard as a rock and put an invisible wall that prevents me to come to you as I wish.
Sometimes I try hard to understand your language and that you can shield in front of me ...
I just want to love with the naked heart.
could give you the moon with the highest straight, could give the sun with a finger flick.
I want to buy your smile and your ailments and your worries and then drown in the river. "
and never return.
Because you just want to give you beautiful woman smiles and a world invented just for you. Compartamos
a crazy world together.
's dive into a world without limits.
beautiful woman I love you I want to be mine, all mine.
Because the truth I always love you ...
Sunday, March 6, 2011
Microsoft Ultimate Steal Windows 7
In preferred full moon is a legend that is disclosed between skippers and crews of ships.
Some survivors have evidence of it. 
Others, however unbelieving men are punished for making fun of a certain myth and sentenced to be imprisoned in the dark depths of the suburbs under the sea, turned into horrifying monsters under the spell of the evil, ugly and chubby witch Kaku. The story goes that while the crew and fishing adventure travel in their huge ships, mermaids playing around the boat while remaining attentive to the rescue of some of the men.
When a sailor accidentally dropped into the deep ocean, they are saved by a group of women with fish's body, are promptly brought to the coast.
The sirens are a prestigious beauty have long hair and necklaces endorse snails. Handled in groups of four or five never less, mounted on huge dolphins and formidable sea horses. Those who lived the events convey their experiences from generation to generation and it is said that in the dark depths of a wicked witch is half human and octopus body that charms and uses her magic for good or bad depending on your behalf.
say rescued crew members usually wake up with the sweet singing of the sirens. There is evidence and it is believed that men did not appear for a certain period of time were eaten by sharks, whales, have been captured by the witch witch kaku. And when a man awakes in the arms of a mermaid that falls in love If you open your eyes not afraid.
And as a result of a magical spell that is converted into a mermaid and is taken to the aquatic paradise.
Works of Art: Jeff Roland
Friday, March 4, 2011
Returning Sympathy Cards Pro
Interview-Ana Fajardo
Intuitive and reflective, is expressed in art as a language of emotions. An abstract figurative style, specifically with acrylic, I love the aesthetic pleasure they express. Is in constant search of his other self. Born June 17, 1973. currently lives in Ponce Puerto Rico six years is illustrated images for the book of poems by American poet Martin Hill for the book titled "Oliver Crump" Preparing others to carry an editorial
Q. - Did you always know that serious artist?
R. "Since I had always attracted the art world, but I always knew it would be an artist. Since childhood I liked to draw, paint, read. But there was always a special feeling when I drew and painted, and images that I could express a world of ideas and emotions, that was something I used to enjoy very much. From there I went closer and closer to art, and study this career.
Q. - How do you explain that most resemble your dream works dream expressions?
My paintings are from the unconscious, collective and personal. Thus the representations of my images are symbolic and that the symbol is the language used to express the unconscious, hence difficult to understand.
And is that the symbolic can be expressed in art or graphic art as in fantasies, visions and dreams. One of the functions of the symbols is to integrate or merge the images through our conscious life and unconscious. Another feature is that the symbol can also represent the confluence of the complex of the personal unconscious, through dreams, fantasies, visions and the archetypes of the collective unconscious.
Q. - you played as a child?
R., a child playing at being an architect, he built small brick houses. I also liked to play hide within me, that is immersed myself in a kind of imaginary world. I sat in a small rocking chair for a short space of time without speaking to anyone, to be played to and who could control, imagine doing things they could do, wanted to control my self. I stayed in this pleasant space until I felt that it was back to reality.
Q. - How do you define your style?
R. "My style I define it as figurative abstraction.
P. - With acrylic or oil? R.-Pinto
acrylic on racks.
Q. - What were your first shows?
R. "It was a surprise to me to see in the faces of people a kind of shock cognitive investigate enjoyed seeing my work, as if they found associations with their feelings and emotions. I discovered that my work could arouse in people maybe memories, knowledge, pleasure or ideas. These early experiences prompted me to want to continue expressing myself.
Q. - Can you tell me some experience with another artist?
R. "Yes, especially with one of the artists I most admire. A Panamanian artist, Antonio Madrid. Cando saw his paintings for the first time, I felt transported to the aesthetic pleasure that any real work occurs. From there I realized I wanted to paint like him, in fact my earliest works are an imitation of the great master Antonio Madrid, he represents for me the doorway to my imagination.
Q. - Are your works tell a story?
R. "Yes, my paintings will have my individual and collective history of my dreams, fantasies, content from the past both personally and of my ancestors. They involve an understanding of the mysteries of my life, like a knot of all my lived meanings, become well in the history of my own life energy.
Q. - How were your beginnings?, What do you intend to transmit beyond the art?
R. "My beginnings were discoveries and learning. At the end of my career in Graphic Design, I just started working as a teacher in an institute Artes en Panamá. Era profesora de varios cursos, entre ellos; composición, historia del arte, dibujo técnico, dibujo, apreciación del arte. Solía pintar, aunque no era mi especialidad, y participaba de algunas exposiciones de arte, en este Instinto . Luego me casé y vine a vivir a Puerto Rico, en busca de una maestría en diseño, solo pude encontrar una maestría en pintura, así que terminé por estudiar esta carrera. Al iniciar la carrera debía presentar obras plásticas, así que solía seguir pintando lo que pintaba en Panamá. Pero comencé a descubrir que estas formas se fueron transformando en una abstracción, y decidí que debía buscar meaning to these works, I kept reading, studying, looking for the meaning to my work there I discovered that what they convey are all my emotions, feelings, complex.
Q. - What do you need to feel complete?
R. - Check my true self in the work.
Q. - How do you imagine your future?
R. "From success to continuous exposures, to participate in conferences.
P. - What do you base that when painting?
R. "In a spontaneous spot, hence be guided by the guiding force of intuition so that I will indicate the original forms, namely those primordial images found in the depths of my being, or rather my own essence.
Q. - What are you painting now?
R. - still in the same style, trying to give life or volumetric shapes my archetypes.
Q. - What is your spiritual faith?
R. "In a higher power that controls our lives. I believe that God exists and that its wisdom created all things, like the man. We, as part of its creation have limited power, but is a power that allows us to realms beyond our physical reality.
Q. - What music do you like?
R. - La salsa, merengue, Panamanian folk music, Latin jazz .
Q. - When you paint the silence you like a band or background music?
R., background music, depending on my mood. Generally typical Panamanian music
Intuitive and reflective, is expressed in art as a language of emotions. An abstract figurative style, specifically with acrylic, I love the aesthetic pleasure they express. Is in constant search of his other self. Born June 17, 1973. currently lives in Ponce Puerto Rico six years is illustrated images for the book of poems by American poet Martin Hill for the book titled "Oliver Crump" Preparing others to carry an editorial
Q. - Did you always know that serious artist?
R. "Since I had always attracted the art world, but I always knew it would be an artist. Since childhood I liked to draw, paint, read. But there was always a special feeling when I drew and painted, and images that I could express a world of ideas and emotions, that was something I used to enjoy very much. From there I went closer and closer to art, and study this career.
Q. - How do you explain that most resemble your dream works dream expressions?
My paintings are from the unconscious, collective and personal. Thus the representations of my images are symbolic and that the symbol is the language used to express the unconscious, hence difficult to understand.
And is that the symbolic can be expressed in art or graphic art as in fantasies, visions and dreams. One of the functions of the symbols is to integrate or merge the images through our conscious life and unconscious. Another feature is that the symbol can also represent the confluence of the complex of the personal unconscious, through dreams, fantasies, visions and the archetypes of the collective unconscious.
Q. - you played as a child?
R., a child playing at being an architect, he built small brick houses. I also liked to play hide within me, that is immersed myself in a kind of imaginary world. I sat in a small rocking chair for a short space of time without speaking to anyone, to be played to and who could control, imagine doing things they could do, wanted to control my self. I stayed in this pleasant space until I felt that it was back to reality.
Q. - How do you define your style?
R. "My style I define it as figurative abstraction.
P. - With acrylic or oil? R.-Pinto
acrylic on racks.
Q. - What were your first shows?
R. "It was a surprise to me to see in the faces of people a kind of shock cognitive investigate enjoyed seeing my work, as if they found associations with their feelings and emotions. I discovered that my work could arouse in people maybe memories, knowledge, pleasure or ideas. These early experiences prompted me to want to continue expressing myself.
Q. - Can you tell me some experience with another artist?
R. "Yes, especially with one of the artists I most admire. A Panamanian artist, Antonio Madrid. Cando saw his paintings for the first time, I felt transported to the aesthetic pleasure that any real work occurs. From there I realized I wanted to paint like him, in fact my earliest works are an imitation of the great master Antonio Madrid, he represents for me the doorway to my imagination.
Q. - Are your works tell a story?
R. "Yes, my paintings will have my individual and collective history of my dreams, fantasies, content from the past both personally and of my ancestors. They involve an understanding of the mysteries of my life, like a knot of all my lived meanings, become well in the history of my own life energy.
Q. - How were your beginnings?, What do you intend to transmit beyond the art?
R. "My beginnings were discoveries and learning. At the end of my career in Graphic Design, I just started working as a teacher in an institute Artes en Panamá. Era profesora de varios cursos, entre ellos; composición, historia del arte, dibujo técnico, dibujo, apreciación del arte. Solía pintar, aunque no era mi especialidad, y participaba de algunas exposiciones de arte, en este Instinto . Luego me casé y vine a vivir a Puerto Rico, en busca de una maestría en diseño, solo pude encontrar una maestría en pintura, así que terminé por estudiar esta carrera. Al iniciar la carrera debía presentar obras plásticas, así que solía seguir pintando lo que pintaba en Panamá. Pero comencé a descubrir que estas formas se fueron transformando en una abstracción, y decidí que debía buscar meaning to these works, I kept reading, studying, looking for the meaning to my work there I discovered that what they convey are all my emotions, feelings, complex.
Q. - What do you need to feel complete?
R. - Check my true self in the work.
Q. - How do you imagine your future?
R. "From success to continuous exposures, to participate in conferences.
P. - What do you base that when painting?
R. "In a spontaneous spot, hence be guided by the guiding force of intuition so that I will indicate the original forms, namely those primordial images found in the depths of my being, or rather my own essence.
Q. - What are you painting now?
R. - still in the same style, trying to give life or volumetric shapes my archetypes.
Q. - What is your spiritual faith?
R. "In a higher power that controls our lives. I believe that God exists and that its wisdom created all things, like the man. We, as part of its creation have limited power, but is a power that allows us to realms beyond our physical reality.
Q. - What music do you like?
R. - La salsa, merengue, Panamanian folk music, Latin jazz .
Q. - When you paint the silence you like a band or background music?
R., background music, depending on my mood. Generally typical Panamanian music
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